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Joined 3 years ago
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Cake day: June 9th, 2023

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  • something about audio that attracts an atmosphere of wilful ignorance

    I think it’s the lack of a shared vocabulary.

    Everyone likes some music better than other music, and so everyone think they can tell the difference between good and bad music. However, nobody can explain the difference in plain words.

    This easily leads to the conclusion that it is fully subjective, and this is where the ignorance comes from. If nobody can explain what good music is, then my own voodoo explanation is as good as any.

    However, we can talk about music theory, audio production and sound analysis in scientific terms to the point where we can even reproduce certain sounds based on the description. But we can’t really understand the description without actually experiencing the sound.

    It’s similar to somebody saying “I don’t like this cake” or someone saying “my taste receptors react to the umami in this cake”, but I still wouldn’t have a clue about how the cake tastes.

    Sound is also different from other sciences in that there is very little proof of one thing being more correct than others. And that goal changes constantly. Whenever somebody does crack the code to what people enjoy, it’ll get boring really quick.

    I had a music teacher long ago who said that there is no bad music, only wrong audiences. His point was that the music that makes it through to the recording and publishing will already have passed the filter where someone made a decision if there is an audience for it. If you hear bad music, then you’re just not the right audience.

    Anyway, cables. Who cares. The end result is the most important part. However, I’d prefer to hook up the instruments on stage with thick cables instead of bananas. Same thing applies at home. Any wire will do, but cheap wires do break.









  • On every single skateboard post or short video, somebody will mention Mullen too.

    But anyway, outside of skateboarding, millennials also know of Bam, Sheckler and maybe Dyrdek.

    Gen-z probably knows of the YouTubers that show up in their feeds. SkateIQ (Mitchie Brusco), SkateNomad (Mike Boisvert) and probably Andy Anderson because he’s everywhere.

    I think it’s safe to say that skateboarding isn’t as mainstream as it used to be when MTV was the main youth cultural feed, but it also allows for a lot more unknown people to rise up. Nobody cares about what young dude Thrasher and the industry wants to portrait as a professional. The skate scene these days basically consists of old men and young women watching footage on YouTube.







  • EU has an allow system, which is the reason the CyberTrucks is not on the EU market. It would not be able to pass the safety requirements if they attempted.

    On a similar note, the EU also has an allow system for all vehicles already on the road. Every single vehicle is inspected every two years, with the first check for new cars being after 4 years. This system keeps older rusty cars away from the roads.

    Tesla’s other models have an issue passing even the first test. It’s the brand with the highest failing rate of all car brands.




  • It’s impossible to earn that much money, but at some point it’s also impossible to hold or spend. Banks can only take so much safely, so it needs to be placed in companies and investments that require some management and all the consequences and responsibility of running those. Spending it is problematic because it will disrupt whatever market it is injected to, potentially harming a lot of people.

    The only real solution is to avoid billionaires in the first place by taxing corporations much much harder.