Disclosure: I have been sailing the seas for years, but…
This logic does no justice to the objective financial harm being done to the creators/owners of valuable data/content/media.
The original creator/owner is at a loss when data is copied. The intent of that data is to be copied for profit. Now that the data has been copied against the creator/owners will, they do not receive the profit from that copy.
Yes yes the argument is made that the pirate would not have bought the copy anyways, but having free copies of the content available on the internet decreases the desire for people to obtain paid copies of the data. At the very least it gives people an option not to pay for the data, which is not what the creator wanted in creating it.
They are entitled to fair compensation to their work.
It is true that pirating is not directly theft, but it does definitely take away from the creator’s/distributor’s profit.
Cool argument, except a huge quantity of pirated works aren’t “owned” by the creator or even a group that funded it, but instead by parasitic companies that abuse capitalistic tools to actually steal value from those creators.
I have thousands of purchased games. 3 categories here:
1: obtained as part of a pack (humble gog etc)
2: purchased AFTER trying out via pirate copy to know if it is my kind of thing
3: picked up early access due to demo or general interest from being a known smaller dev/studio (hare brained for example)
With less and less access to shareware and viable demos, piracy is often the only conduit to prevent me getting ripped off of $80 for something that looks like a shiny sports car but end up being another “buy $800 in dlc for the full story!” Ford pinto.
Additionally, I now flat refuse to fund the likes of Denuvo, and wish that piracy actively hurt the bottom line of companies deploying that kind of anti-user shit.
Piracy is somewhat similar to vigilantism to me. My ability to consider it a negative is directly related to how fair I consider the legitimate methods available to be.
If similar efforts were focused on consumer protection laws as we do IP protection, I don’t think pirates would have much leg to stand on, and they’d be seen in more of a negative light.
But since consumers are regularly fucked by corporations, all I see is two sides both doing bad shit and I’m not feeling all that charitable for the faceless megacorp. I also dislike pirates who pirate from small time creators. But that’s about as far as I can care given the state of things.
We should be focusing on stronger consumer rights to truly fix the problem for all sides.
There is absolutely a connection between how shitty corporations are treating their customers with how likely those customers are likely to stop paying and start sailing.
Netflix in its prime was the GOAT, showing a very significant decrease in piracy. We’re only seeing a rise now because of the proliferation of streaming companies. No one wants to pay for 4+ streaming services.
There’s another comment further up about a statistic showing that people who pirate content are more likely to spend more money on content as well compared to people who don’t pirate content. It seems that there’s a correlation between people who pirate things and people who care about the ethical treatment of creators. Stuff like people who pirate music from Spotify and then spend money to buy the music from the band on Bandcamp.
In that context, I have an even harder time caring about people pirating from the megacorps when they’re supporting creators at the same time. That’s closing in on Robin Hood style activities at that point.
Devil’s Advocate: Many pirates would have not paid for access to that media so to say it takes away from the creators profit isn’t exactly true since one act of piracy does not equal one lost sale.
Devil’s Advocate Part II: There is s significant amount of research that supports the notion that pirates actually spend more money on media than the average person.
I personally am an example of part II. I pirate a lot of music but I refuse to use Spotify because of how little it pays artists and I have also spent significant amounts of money buying music from artists I enjoy via Bandcamp or buying from the artist directly because I know they get a bigger cut of the profits that way.
Because people don’t want to pay for shit content. Let’s take pirating out of the equation. If I read a book I borrowed and I really like it, I would buy. If the content was trash then I wouldn’t. Same goes if I watch a movie, listen to an album, or eat a microwavable burrito at a friend’s or family member’s house.
Ditto on Spotify. I have big love for piracy of FLAC for my personal music server, but I also have a decent rack filled with physical offerings from my favorite bands.
My Bandcamp collection is also getting up there, since a few of my favs say they are treated well there, and it’s FLAC friendly as well.
Physical media or merch directly from the band is absolutely the way to go every time if possible.
I’m having trouble finding a link to substantiate it, but I remember in the early 2000’s a group of artists having to sue their record labels because of the lawsuits on file-sharing users. The record labels said they were doing it for the artists, but the artists had to sue the record labels to even ever see a penny from the fruits of those lawsuits. The record labels were just pocketing the money for themselves while saying it was “for the artists.”
Anyway, long story short is that kind of behavior from the recording industry made me want to give money directly to the artists and cut out these selfish middlemen who did nothing but claimed all the profits.
I guess herein lies the potential fallacy of my statement.
Decreased desire is a Subjective observation.
One cannot draw a direct correlation, but there is data to conclude that not having a piracy option will boost sales of data initially, at least when it comes to games. (Hence why publishers continue to use Denuvo)
the pirate would not have bought the copy anyways, but having free copies of the content available on the internet decreases the desire
Also, the person deciding whether or not they “would have” paid for it, has a strong incentive to kid themselves that they wouldn’t. Imagine if cinemas worked that way, and you could just walk in and announce that you weren’t going to buy a ticket anyway and since there’s a seat over there still empty it’s not going to cost them anything for you to sit in it. They’d go out of business by the end of the week.
Also also, either the thing you’re copying has value that arose from the effort of creating it, or it doesn’t. If it’s of value, then it’s reasonable to expect payment for it. It’s it’s not of value, then you shouldn’t miss not having it.
This logic does no justice to the objective financial harm being done to the creators/owners of valuable data/content/media.
It does though, since no harm is being done.
The original creator/owner is at a loss when data is copied. The intent of that data is to be copied for profit. Now that the data has been copied against the creator/owners will, they do not receive the profit from that copy.
They also don’t receive profit from not copying, unless there’s a purchase made. By your logic, watching something on Netflix or listening to it on the radio is actively harmful to creators, which I think most people can admit is absurd.
but having free copies of the content available on the internet decreases the desire for people to obtain paid copies of the data.
You made this assertion, but don’t really back it up. If you were correct here, being able to copy cassette tapes or burn cds would have killed the music industry decades ago. Piracy is the original grassroots promotional method.
At the very least it gives people an option not to pay for the data, which is not what the creator wanted in creating it.
That’s a separate argument and doesn’t relate at all to the supposed financial harm.
They are entitled to fair compensation to their work.
That’s a loaded assertion. If I sing a song right now, what am I entitled to be paid for it? And you’re ignoring that most of the “work” of being a musician (in most genres at least) is playing live performances, the experience of which cannot be pirated.
It is true that pirating is not directly theft, but it does definitely take away from the creator’s/distributor’s profit.
I don’t think it’s definite at all. Most of what musicians make these days is from merch and ticket sales, which piracy contributes to by bringing in new fans.
You have some very entitled opinions, if everyone thought like you no one would create digital media. You’re free to not watch movies or listen to music but it’s pretty asinine to take things without compensating the creator and claim no wrongdoing
Nah, the entitled opinions are coming from the “pay me, but you can’t own media” folks.
if everyone thought like you no one would create digital media
Ff everyone thought like me, people could buy digital media in convenient formats at reasonable prices, and buying media would probably still be a lot more popular. My Bandcamp library is in the tens of thousands and growing. I support digital purchasing more than most, when it’s done well.
but it’s pretty asinine to take things without compensating the creator and claim no wrongdoing
As the whole crux of the thread makes clear, no taking is involved. You might want to go re-read the OP again, speaking of asinine.
Adding on to say: no. It doesn’t cost the creator anything when a pirated copy is made. They potentially miss a sale, but if their item wasn’t in a store where someone may have made a purchase you wouldn’t call that actively harmful, right?
In addition, most media the creators don’t actually make money from the profit. Most of the time they’re paid a salary, maybe with a bonus if it does particularly well. The company that owns the product takes the profit (or loss), not the actual creators.
Also, a lot of media isn’t even controlled by the same people as when it was made. For example, buying the Dune books doesn’t give money to Frank Herbert. It goes to his estate.
Im poor as fuck. So the option isnt ‘buy/pirate’ its ‘pirate or get nothing’. Fuck you if you think i should live without art.
The artists generally do not recieve profit when a copy is streamed/sold. It simply is not done; their unions are too weak. This is blatant corporate propaganda.
The entire mechanism to do that is fucked anyway, even if it were hooked up to something. I’m sorry, but i wouldnt deal with that shit show for free. Even new releases or classics have to be hunted down like cult films, and then even if i buy them, i lose them at some arbitrary later date. Music was the last thing i tried to pay on, and i just could not keep a cohesive collection together-at this point, if it’s not on bandcamp, i assume the artist doesn’t want money. And even bandcamp has disappeared tracks i paid for, reducing me to local backups. So fuck em.
I’m sorry. I really would love to support art and artists, but it simply isn’t possible to do that systemically within capitalism. There is no clear systemic option. Just ways to lick corporate boot and waste your fucking time.
although
I bet i do actually pay artists-cast crew and musicians at least-more than you do. When i dine out, rare as that is, in los angeles, i tip ~30% in cash. So i am actually supporting the arts, while you, my boot licking friend, are not. Youre supporting the corporate ghouls who feast upon them.
Disclosure: I have been sailing the seas for years, but…
This logic does no justice to the objective financial harm being done to the creators/owners of valuable data/content/media.
The original creator/owner is at a loss when data is copied. The intent of that data is to be copied for profit. Now that the data has been copied against the creator/owners will, they do not receive the profit from that copy.
Yes yes the argument is made that the pirate would not have bought the copy anyways, but having free copies of the content available on the internet decreases the desire for people to obtain paid copies of the data. At the very least it gives people an option not to pay for the data, which is not what the creator wanted in creating it. They are entitled to fair compensation to their work.
It is true that pirating is not directly theft, but it does definitely take away from the creator’s/distributor’s profit.
Cool argument, except a huge quantity of pirated works aren’t “owned” by the creator or even a group that funded it, but instead by parasitic companies that abuse capitalistic tools to actually steal value from those creators.
I have thousands of purchased games. 3 categories here:
1: obtained as part of a pack (humble gog etc)
2: purchased AFTER trying out via pirate copy to know if it is my kind of thing
3: picked up early access due to demo or general interest from being a known smaller dev/studio (hare brained for example)
With less and less access to shareware and viable demos, piracy is often the only conduit to prevent me getting ripped off of $80 for something that looks like a shiny sports car but end up being another “buy $800 in dlc for the full story!” Ford pinto.
Additionally, I now flat refuse to fund the likes of Denuvo, and wish that piracy actively hurt the bottom line of companies deploying that kind of anti-user shit.
Piracy is somewhat similar to vigilantism to me. My ability to consider it a negative is directly related to how fair I consider the legitimate methods available to be.
If similar efforts were focused on consumer protection laws as we do IP protection, I don’t think pirates would have much leg to stand on, and they’d be seen in more of a negative light.
But since consumers are regularly fucked by corporations, all I see is two sides both doing bad shit and I’m not feeling all that charitable for the faceless megacorp. I also dislike pirates who pirate from small time creators. But that’s about as far as I can care given the state of things.
We should be focusing on stronger consumer rights to truly fix the problem for all sides.
There is absolutely a connection between how shitty corporations are treating their customers with how likely those customers are likely to stop paying and start sailing.
Netflix in its prime was the GOAT, showing a very significant decrease in piracy. We’re only seeing a rise now because of the proliferation of streaming companies. No one wants to pay for 4+ streaming services.
There’s another comment further up about a statistic showing that people who pirate content are more likely to spend more money on content as well compared to people who don’t pirate content. It seems that there’s a correlation between people who pirate things and people who care about the ethical treatment of creators. Stuff like people who pirate music from Spotify and then spend money to buy the music from the band on Bandcamp.
In that context, I have an even harder time caring about people pirating from the megacorps when they’re supporting creators at the same time. That’s closing in on Robin Hood style activities at that point.
Devil’s Advocate: Many pirates would have not paid for access to that media so to say it takes away from the creators profit isn’t exactly true since one act of piracy does not equal one lost sale.
Devil’s Advocate Part II: There is s significant amount of research that supports the notion that pirates actually spend more money on media than the average person.
I personally am an example of part II. I pirate a lot of music but I refuse to use Spotify because of how little it pays artists and I have also spent significant amounts of money buying music from artists I enjoy via Bandcamp or buying from the artist directly because I know they get a bigger cut of the profits that way.
Ironically, piracy develops more ethical consumers
Because people don’t want to pay for shit content. Let’s take pirating out of the equation. If I read a book I borrowed and I really like it, I would buy. If the content was trash then I wouldn’t. Same goes if I watch a movie, listen to an album, or eat a microwavable burrito at a friend’s or family member’s house.
Ditto on Spotify. I have big love for piracy of FLAC for my personal music server, but I also have a decent rack filled with physical offerings from my favorite bands.
My Bandcamp collection is also getting up there, since a few of my favs say they are treated well there, and it’s FLAC friendly as well.
Physical media or merch directly from the band is absolutely the way to go every time if possible.
I’m having trouble finding a link to substantiate it, but I remember in the early 2000’s a group of artists having to sue their record labels because of the lawsuits on file-sharing users. The record labels said they were doing it for the artists, but the artists had to sue the record labels to even ever see a penny from the fruits of those lawsuits. The record labels were just pocketing the money for themselves while saying it was “for the artists.”
Anyway, long story short is that kind of behavior from the recording industry made me want to give money directly to the artists and cut out these selfish middlemen who did nothing but claimed all the profits.
Surely you’re not saying that record labels are dishonest?!
According to who?
I guess herein lies the potential fallacy of my statement. Decreased desire is a Subjective observation.
One cannot draw a direct correlation, but there is data to conclude that not having a piracy option will boost sales of data initially, at least when it comes to games. (Hence why publishers continue to use Denuvo)
https://arstechnica.com/gaming/2024/10/the-true-cost-of-game-piracy-20-percent-of-revenue-according-to-a-new-study/
Also, the person deciding whether or not they “would have” paid for it, has a strong incentive to kid themselves that they wouldn’t. Imagine if cinemas worked that way, and you could just walk in and announce that you weren’t going to buy a ticket anyway and since there’s a seat over there still empty it’s not going to cost them anything for you to sit in it. They’d go out of business by the end of the week.
Also also, either the thing you’re copying has value that arose from the effort of creating it, or it doesn’t. If it’s of value, then it’s reasonable to expect payment for it. It’s it’s not of value, then you shouldn’t miss not having it.
It does though, since no harm is being done.
They also don’t receive profit from not copying, unless there’s a purchase made. By your logic, watching something on Netflix or listening to it on the radio is actively harmful to creators, which I think most people can admit is absurd.
You made this assertion, but don’t really back it up. If you were correct here, being able to copy cassette tapes or burn cds would have killed the music industry decades ago. Piracy is the original grassroots promotional method.
That’s a separate argument and doesn’t relate at all to the supposed financial harm.
That’s a loaded assertion. If I sing a song right now, what am I entitled to be paid for it? And you’re ignoring that most of the “work” of being a musician (in most genres at least) is playing live performances, the experience of which cannot be pirated.
I don’t think it’s definite at all. Most of what musicians make these days is from merch and ticket sales, which piracy contributes to by bringing in new fans.
You have some very entitled opinions, if everyone thought like you no one would create digital media. You’re free to not watch movies or listen to music but it’s pretty asinine to take things without compensating the creator and claim no wrongdoing
Nah, the entitled opinions are coming from the “pay me, but you can’t own media” folks.
Ff everyone thought like me, people could buy digital media in convenient formats at reasonable prices, and buying media would probably still be a lot more popular. My Bandcamp library is in the tens of thousands and growing. I support digital purchasing more than most, when it’s done well.
As the whole crux of the thread makes clear, no taking is involved. You might want to go re-read the OP again, speaking of asinine.
Corporations profiting from copyright laws they helped write deserve to have their profits stolen in any case. Not gonna lose any sleep over it.
Adding on to say: no. It doesn’t cost the creator anything when a pirated copy is made. They potentially miss a sale, but if their item wasn’t in a store where someone may have made a purchase you wouldn’t call that actively harmful, right?
In addition, most media the creators don’t actually make money from the profit. Most of the time they’re paid a salary, maybe with a bonus if it does particularly well. The company that owns the product takes the profit (or loss), not the actual creators.
Also, a lot of media isn’t even controlled by the same people as when it was made. For example, buying the Dune books doesn’t give money to Frank Herbert. It goes to his estate.
So a little more in depth:
So, a little more in depth:
Im poor as fuck. So the option isnt ‘buy/pirate’ its ‘pirate or get nothing’. Fuck you if you think i should live without art.
The artists generally do not recieve profit when a copy is streamed/sold. It simply is not done; their unions are too weak. This is blatant corporate propaganda.
The entire mechanism to do that is fucked anyway, even if it were hooked up to something. I’m sorry, but i wouldnt deal with that shit show for free. Even new releases or classics have to be hunted down like cult films, and then even if i buy them, i lose them at some arbitrary later date. Music was the last thing i tried to pay on, and i just could not keep a cohesive collection together-at this point, if it’s not on bandcamp, i assume the artist doesn’t want money. And even bandcamp has disappeared tracks i paid for, reducing me to local backups. So fuck em.
I’m sorry. I really would love to support art and artists, but it simply isn’t possible to do that systemically within capitalism. There is no clear systemic option. Just ways to lick corporate boot and waste your fucking time.
although
I bet i do actually pay artists-cast crew and musicians at least-more than you do. When i dine out, rare as that is, in los angeles, i tip ~30% in cash. So i am actually supporting the arts, while you, my boot licking friend, are not. Youre supporting the corporate ghouls who feast upon them.
The people who make shit normally dont get paid anyway.